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Aloy - Carja Behemoth Trapper
Vax (Legend of Vox Machina)
Sam Vimes
Upcoming events
MegaCon London (weekend) January 2025
Fantasy Forest (saturday) July 2025
MegaCon Manchester (weekend) July 2025

It got real busy!

TLDR; I realised that making long blog posts is hard to do when you’re crunching

Checking back in

Hello there! MCM was last weekend which is why you did not see any blog posts for the last month as I entered con crunch. These posts take a lot of time to put together and I ran out of that quite quickly as I crammed as much making into the free hours of the day as I could!

Cast your minds back a month (or read the last blog post) and you will recall I had the armour made, the flaps painted and the bow base structure made. Please note that although I’ve laid these out under headings in this order, everything was pretty much happening all at once!

Weathering and detailing the armour

So, the armour had a base coat but that does not make it look real, just a base to work on. There were details to add and weathering to be done. I masked off and used some black and silver spray paint to add those colours to the relevant parts. For the gauntlets I first sprayed silver, then hair spray and then the black coat with the idea that I could scrape off the black to reveal the silver below.

This works, but honestly looks awful and each time I’ve tried it it’s led to me painting over it to fix the rough edges and peeling paint. It was much more effective just to dry brush the damage effects on as you have a lot more control over how much and where. Scrapping of the paint would often take off too much or pull up the under coat of paint too.

Next up was adding details to the upper arm pieces and headpiece. I got those nice sharp lines by carefully masking off the area and using a good brush to paint the colours on by hand. Whilst I could have airbrushed it, the setup to do so would have taken much longer than just using a paintbrush.

With the details in place I could start weathering. This involved just throwing on some watered down black and brown paint and wiping it off until it looked grubby, adding a few splotches of grey paint dabbed on using a piece of kitchen roll. Extra grubbiness was achieved by using a brown oil paint on the edges to give a look of rust or ingrained muck, wiping a lot of it away to get a more organic shape.

Boom! Armour done. This time I took the pieces outside to varnish which meant things where much, much less fume-y this time around.

Contact cement and velcro go brrrrr

I have armour, now I need to attach it to the bits of costume I’ve made previously. First up is the front piece where each of the armour pieces and the emitter is attached using velcro contact cemented to the front. This works great! Cables are cut to length and again contact cemented into place on the back of the elements. Boom, easy!

To attach the arm armour first up I made some holes and threaded through lengths of blue rope I had bought. It frays like mad, but holds together enough to be tied into place. Extra rope is wound around the arms and then glued into place since this rope is slippy AF. The armour is then also contact cemented on.

I’m not going to lie, the answer to “how did you do that” is mostly going to involve me saying contact cement a lot so I’m going to gloss over a few things. Feel free to drop me a message @smojcosplay to get more details!

I added some piping to the leg wraps, this was just 10mm (I think?) foam dowels from PolyProps that had been primed and painted black. It worked great! The blue cables where actually some black CAT5 cable I had spare, painted a glorious blue. They looked so much better than I’d hoped.

Adding details to the flaps

It’s threading time! This was pretty time consuming as I had to drill small pilot holes before I could drill and actual sizable enough hole to push the faux leather cord through. Why? Because just drilling with the bit of the size I needed caused a right mess, and just cutting a slit with craft knife led to weird lumps.

So I sat there and threaded the cord whilst playing D&D, adding some black paint to the edges to make it look weathered. Easy! Next step: the red patches.

A few trials led to the solution of gluing a piece of 2mm foam to the flaps, cutting a slit next to it and then just winding the red thread around it until it looked right. With 3-5 of these per flap, there was a lot of winding to do (again, mostly all done during D&D!).

With the flaps done, I sewed a simple belt out of some old black canvas like material I had (which did used to be a no-face costume. It was far, far to warm to wear though!) and used velcro to hold it shut. The flaps where then arranged and sewn on using black thread. I only did one line, which did come back to bite me during the costume test.

Plan A through G

Aloy has pipes around her torso, something I thought shouldn’t be that hard to get right. Oh boy was I WRONG. I went through plan after plan, none of which worked right but thankfully did provide ideas for the next.

The one that ultimately worked, Plan G, involved getting the pattern for a waistcoat (from the sewing bee website, thanks!), making said waistcoat and attaching the dowels (using contact cement of course) after adding slashes to one side to give them more bend.

The waistcoat was then held shut using a lot of velcro, sewed on for extra holding power. And this worked! It was as conformable as you can get having a bunch of pipes wrapped around your upper body.

Rushing to get the bow done

Of course, whilst I’m doing all of this assembly of the main costume I’m also priming, painting and on the fly redesigning parts of the bow to have it work. I tried the hairspray layer paint trick to give rough edges but it didn’t look great and I did end up painting over whole sections to hide a lot of this.

There’s not much to say about the bow, apart from the details where fully hand painted - no masking here as I was running out of time. I simply cut out a template and used that to pencil on the lines and carefully paint within! I am especially proud of hand-painted wood grain on the bow wood, this was brought out more by using a gloss rather than matt varnish on it.

I am quite proud of the bits that clip onto the string, they’re just 10mm foam bevelled and with a hole drilled to create the slit. They aren’t glued on, just held in place with friction as they are on the reference images!

I run out of time to attach the cord around the ends of the bow, throw it in my suitcase and plan to attach this once I reach the flat I’m staying in.

Little bits and pieces I want to show off

The days are rapidly flying away and I’m still adding details. I know I’ve got no chance of getting the cool electronics done, so I instead concentrate on getting the lenses in place so at least that bit looks good. I buy a blue plastic folder and cut out some circles, then use a white pen to draw more smaller circles on the back. This completely wild-card idea works fantastically and I’m able to fix these now much fancier emitter lenses into place using hot glue.

The arrows I have been slowly getting ready, using old arrow shafts I had from my archery days painted with a layer of brown to darken them. The fletching are just 1mm craft foam sheets, sliced with a craft knife and them primed and painted with my airbrush. Of course, me being the archer, I did use my proper fletching jig to make sure they where sort of accurately attached! I only made three arrows fully, the other three where simply taped together. This saved time as I carved the heads out of 10mm foam, drilled a hole for the shaft, primed, painted and attached using hot glue. Simple but looked great!

It’s more tangles than straight hair now

Oh how I hate doing wig styling. The damn thing just loved to get itself tangled and I spent most of my time detangling it just to get something done. I’d like to thank the Silvousplaits Hairstyling channel for having a video on styling Aloy’s hair (here if you want to watch) with which I would not have been able to do this.

I do wish I’d tried some of these braids on my own hair when it was long because I did enjoy doing them once I’d got tha hang of things.

Honestly I’m not especially happy with how it came out but it looked enough like Aloy’s hair (plus I was leaving for the con the next day after I’d finished it). I had made some beads out of foam clay, primed and painted a couple of days earlier. They held up real well, stayed in place and looked like proper beads which I was happy with.

A late night costume test

It is the night before I leave. I am still adding details to the bow and making sure everything looks good. My plan to have an early night is out the window and it is approaching midnight. My train is at 10:07 the next day. And I am now doing a costume test.

And lo and behold… the costume works! Sure I immediately notice a few issues I’ll need to correct, but I arrive mid-afternoon which means I have the evening to make any last minute fixes.

A person standing in front of blinds dressed as Aloy in the Shield Weaver outfit.

I collapse into bed, anxiety consuming me and sleeping awfully. There’s a few more minor things to do but London, and MCM Comic Con 2022 awaits!

MCM Comic Con London 2022 (Saturday)

MCM Comic Con London 2022 (Friday)

A bumper roundup!

TLDR; I was so busy I forgot to post so I’ve crammed it all into one. Including: painting, re-painting and building a bow!

Getting in a flap

A close up of one of the skirt flaps on Aloy's outfit.

Painting the flaps did not go entirely to plan and I hit a few setbacks. Number one was that I did not adequately mask off the area, thinking a line of tape would be enough. It was only after I removed the tape I realised that the airbrush gives off a lot of vapour and that makes a very noticeable difference if one area has been taped and one hasn’t!

The second mistake I made was to do with the colour, I’d tested a small area and thought it looked good but when I compared it to references it was well off the shade I needed. Oop’s! That involved a complete repaint back to how it was before I started with the blue. Luckily it was the two smallest ones!

Two pieces of tape stuck to wood with two different shades of blue on them.

The old blue on the left, the new on the right

I was looking for something to use as a mixer when I discovered a bottle of Aqamarine Blue I’d bought for well…something. A bit of experimentation later and mixed with white it came close enough for me.

For the lighter blue stripe I masked off again, even more time consuming this time as I had to cover the centre and the outer blue. I checked my colours this time before I painted, opting to adding the aquamarine blue to white to get the right colour.

The flaps, masked around the edges and in the centre with tape, with fresh light blue stripes applied.

All that was left to do was to add some dark brown again to weather it, and then spray it with varnish. Now I’d like to say something about spray varnish: It is the most noxious thing I’ve dealt with in recent times. I mistakenly thought it’d be fine in my spray booth, but the vapour fills an entire room in the most obnoxious manner. I had to take a break in my bedroom until it’d dispersed a bit and I’ve made a note to only varnish outside.

The flaps, lying on a wooden floor fully painted. They have darker blue edges and a light blue stripe that have been dirtied with brown paint.

Colour matching my nemesis

Once the flaps where completed I started painting the armour. Me, feeling confident, mixed up a batch of light grey paint and happily started spraying. It was too light. So add a bit more black and off spraying again. Feeling pleased about how quickly I’d got it done I went back to check on my reference image and… The colour was of course wrong!

I’d mixed up a basic grey (just white + black) but looking at the armour the base is actually more an off white. After some thought I realised I had the answer already - mix white with titan buff (the off white used for the flaps) to create a light, off white colour that, thankfully, seems to come close to what I need.

Two gauntlets side by side, one in a light grey and the other in an off white colour.

Old, grey paint on the left, newer and more accurate off white on the right

All the work wasn’t wasted though as the grey works as a great base for the new colour to go on. After a couple of days work (I get nervous at how hot the compressor gets for the airbrush) I’ve got all the pieces with three coats done and ready for masking off for other colours (mostly blacks, silvers and greys).

I’ve also put the first coat of paint on the black tubing for the torso, once that’s done I can move into figuring out just how I’m going to attach them!

The art of looking like an old coal miner

A picture of a Carja warbow.

Part of what distracted me from making posts was getting consumed making the bow! I’d cut out most of the pieces in various bits of spare time during the week leading up to a bonus bank holiday weekend.

The war bow is a bit of an annoying shape with two holes in the handle. I wanted to reinforce the foam with wire, but the hole prevents me just running it straight through. I had to drill holes in my foam, threading the wire through and allowing it reinforce the loops. I did this on both sides as two bits of wire are going to be better than one.

The handle of the bow lying on the floor with wire taped to it matching the shape. At two points the wire goes into the foam and comes out about 5cm along. Above it is the other side of the bow handle showing a shallow groove cut in to hold the wire.

Once I had the basic layered structure I was able to start carving it from a block into something more like wood. I used my craft knife to cut it into the rough shape then used a lot of dremmling and sandpapering to smooth it down. By the end of it I was coated face and arms in black dust and was very grateful of my respirator!

The arms of the bow are mostly built as well with just a few last tweaks to be made. I had thought I’d need to reinforce these with wire too but it seems as if the structure is strong enough to hold the shape. Once everything is fixed in place I can reassess and reinforce if necessary.

Bow handle and arms placed on a wooden floor, not properly attached yet.

What’s next?

Next up it’s painting the other colours on the armour (blacks and dark greys and yellows) as well as priming the bow ready for it being painted too.

I’m also going to get the fabric side of things finished, I’ve been holding off because I’ve been concentrating on getting the painting done, but with time pressing on I think getting it done sooner rather than later makes sense. There’s only 4 weekends left for me to finish this!

If you have an questions or ideas for posts you’d like to see, send me a tweet @tjomas

Time until MCM Comic Con London:
3 Weeks 6 Days

Paint: the art of getting covered in it

TLDR; This week I cover myself in paint (not intentionally), finally get the templates for the bow printed and start making it!

Painting the flaps

A close up of one of the skirt flaps on Aloy's outfit.

I’ve made a lot of progress on painting the flaps, though not without a few mistakes along the way. I realised that I was diluting the paint a little too much and that’s why it took about 4 layers to properly cover it - the final layer went on much nicer than previously.

To give it a texture I had plans to airbrush on some dark brown. This however ended up looking terrible due to the regularity and evenness of the paints application. I tried brushing on and it didn’t work, but when cleaning said paint off I discovered that the mostly cleaned off and smeared paint looked perfect!

Seven irregularly shaped rectangles of foam that have been painted with a yellow-white and brown to give them a leather like texture.

Once I’d suitably painted on and then wiped off the brown paint I shifted to painting the backs. I just repeated what I did to the front, though with less layers and using paintbrush, using the same paint on a wipe off technique for the brown to give it a similar look.

Build your own bow (some assembly required)

A picture of a Carja warbow.

I finally printed out the templates for the bow, having taken the parts from the trace document and copying them over to a couple of much better organised files for printing. I’ve colour coded them this time too, since sometimes a part is needed in one of the three different thicknesses of foam I’m using for it.

I’ve decided to reinforce the handle with wire to give it a little bit more stability, though the 10mm foam I’m using is pretty good at holding shape. I’ll probably use some wire in the arms as well, though I’m not sure if that is needed yet.

Makeup!

A close up of Aloy's face.

I’ve received some much needed advice on makeup from a friend (Thanks Cy!) and changed my approach. I’m going to use a primer and a tinted moisturiser rather than foundation which eliminates trying to work out which of the many shades is the right one for me!

Hopefully I can put some time aside soon to watch the videos I’ve collected and do a makeup test! I’ll probably wait until I’ve got the wig done, which is another fairly high priority in case I need to adjust things.

I also bought myself some green contact lenses that arrived yesterday. Finding a place that does a good selection of coloured prescription contacts is difficult, but a friend long ago recommended PinkyParadise. I’ve never had any issues with with any of the 4 or 5 pairs I’ve bought from them, so I can pass along the recommendation.

Electronics

The electronics have all been shipped out and are arriving, I just need to get some wire to join them together. I’ve discovered some good YouTube videos and a couple of articles that should allow me to get a little more out of the battery too.

What’s next?

More painting! I need to get the flaps finished, then move onto everything else. In theory these are less complex as they’re mostly either light grey or black so I should be able to fly through them like I did when priming.

Once the flaps are finished being painted I can start adding the cord details to them, which is why I wanted I gave them priority over the rest of the armour pieces.

If you have an questions or ideas for posts you’d like to see, send me a tweet @tjomas

Time until MCM Comic Con London:
6 Weeks 1 Days